Seven Churches of Revelation

The Book of Revelation, the last book in the New Testament, addresses seven letters from John to seven churches in Asia Minor, the remnants of which are all reasonably close to Çeşme. These seven churches were some of the most prominent at that time, to which John the Apostle would have been close enough to communicate effectively. The Aegean Region was also one of the central hubs of trade, commerce, and communication. 

John the Apostle or Evangelist John, also known as John the Theologian or John the Divine, was one of the original twelve Apostles and wrote the Gospel and the book of Revelation. He was the youngest of the twelve apostles and especially closest to Jesus. This closeness is often portrayed in icons of the Last Supper, where St. John leans on Jesus. He was present for the Transfiguration of Christ with Peter and his brother James. The late 1st century A.D. was a time of persecution of Christians under the Romans. Emperor Domitian (51 – 96 A.D. Emporer 81 – 96 A.D.) exiled St. John to the Island of Patmos (approximately 110km south of Çeşme) around 90-95 A.D. On Patmos, he is said to have received and wrote the Book of Revelation. Among the 12 apostles, he is the only one not martyred but died in normal circumstances. He possibly died at the age of 98.

Below are the seven churches in the order in which they appear in the Book of Revelation:

The Church of Ephesus

Location: Selçuk – distance from Çeşme 155km

In its day, Ephesus was famed for the nearby Temple of Artemis, built circa 550 B.C., which today is just to the west of the centre of Selçuk and was designated one of the Seven Wonders of the Ancient World. Ephesus was a city that received one of the Letters of Paul from the New Testament. The Gospel of John may have been written in the city, and it was the site of several 5th-century Christian Councils, the Council of Ephesus. The city was destroyed by the Goths in 263 A.D. Although it was afterwards rebuilt, its importance as a commercial centre declined when the harbour was silted up, and in 614 B.C., it was partially destroyed by an earthquake.

​The first church in Christianity named after the Virgin Mary, the mother of Christ, was the Church of Mary in Ephesus, which Emperor Constantin I (272 -337 A.D. Emporer 306 – 337 A.D.) commissioned in the 3rd century A.D. It is the most significant building from Christian times in Ephesus and is located within the Ephesus Ancient City museum site close to the north entrance. Before it was converted to a church,  the building was used to stock wheat. The third ecumenical council in 431 A.D. was held here with the aim of ending the controversies concerning the divinity of Christ and the sanctity of the Holy Virgin. The council ruled that God was one being, though two natures, the Father and the Son, and that the Virgin Mary was truly the mother of Christ (Theotokos meaning “[she] whose offspring is God”). In the early times of Christianity, churches were dedicated to those who lived and died in the same province. An inscription dating back to the third ecumenical council was found saying, “We are writing from the house where our mother Mary lived and died.

Architecturally, the Church of Mary in Ephesus can be described as a basilica with a nave and two aisles. The aisles were divided into shorter parts, which could serve as shops. Today, the best-preserved section of the structure is a cylindrical baptistery located in the northern part of the atrium. In the central part of the baptistery was a pool where the baptised people could be fully immersed in water. In the 7th century, the church fell into ruin. The Byzantines raised a new church on the same site, and over time, the church was rebuilt several times, so the structure we can see today does not reflect the appearance of the church from the time of the Council of Ephesus or the later 8th-century building. Instead, it represents the late Byzantine period when the domed church fell into ruin and was eventually abandoned. It was replaced by a new basilica, which had much smaller dimensions and was built into the space of the old church. Finally, the whole structure collapsed and was turned into a cemetery. It is unknown when the collapse happened, but there are mentions of the old church with the icon of the Virgin Mary from the 12th century, so it probably survived at least until this period.

St. Mary Church Ephesus

At the top of the hill, 5.5km south of the Upper Gate (south entrance) of the Ephesus Ancient City Museum, is the House of St. Mary in Ephesus. While there is no direct archaeological evidence or mention in the Bible, the House of the Virgin Mary is where, according to many people’s beliefs, Mary, the mother of Jesus, spent the last years of her life. It is supposed that Mary arrived at Ephesus with St. John and lived there until her death and Assumption/Dormition*. A synodal letter of the Council of Ephesus that took place in 431 A.D. mentions “the city of the Ephesians, where John the Theologian and the Virgin Mother of God St. Mary [lived and are buried]”. 

*Countering this is the early Christian belief that St. Mary lived and died in Jerusalem, where Saint Juvenal, Bishop of Jerusalem, testified the existence of her tomb in 451 A.D. The Church of the Dormition on the hill of Mount Zion was built at the location assumed to be the tomb of Mary in the 5th century A.D.

While the Roman Catholic Church has never pronounced the house’s authenticity for the lack of scientifically acceptable evidence, many gestures made by Popes authenticated its history in the eyes of the faithful. An investigation commissioned by the Archdiocese of Smyrna concluded in December 1892 that the assumption that the Blessed Virgin Mary might have died in the house was scientifically and theologically justifiable. An Austrian excavation team conducted two exploratory excavations on behalf of the Turkish Heritage Authority in 2003. The analysis of the ceramic finds from undisturbed excavation layers concluded that the ancient villa was the atrium of a residential house from the 1st century A.D.

The Basilica of St. John, just to the northwest of the centre of current day Selçuk, 1km from the Temple of Artemis, was built in the 6th century under Emperor Justinian I (482 – 565 A.D. Emporer 527 – 565 A.D.) over the supposed site of the St. John Apostle’s tomb. Not to be mixed with John the Baptist, the John who was buried here is John the Apostle. It is believed that at his crucifixion, Jesus asked his beloved disciple, John, to look after his mother. He and the Virgin Mary travelled to Ephesus between 38 and 47 A.D., where he resided. John was exiled to Patmos for eight years by Emperor Domitian. Later, he returned to Ephesus and continued writing the Gospel. John was martyred at the age of 98 under the rule of the Emperor Trajan. 

The hill that John lived after coming from the island of Patmos was named Hagia Theologos, meaning “Holy Theologian”. It is also the name given to the city during the Byzantine period. When active, the Basilica of St. John was the second-largest church in Anatolia. The impressive ruins of the basilica are still visible. The basilica had a cross plan with six domes. Under the central dome was the sacred grave of St. John. Pilgrims have believed that a fine dust from his grave has magical and curative powers. In the apse of the central nave, beyond the transept, is the synthronon, semicircular rows of seats for the clergy. To the north, the transept was attached to the treasury, which was later converted into a chapel. The baptistery is from an earlier period and is now located north of the nave. Mosaics used by Byzantines are smaller than Roman mosaics, and examples can be noticed in the treasury. 

Revelation 2:1-7 – Letter to the Church in Ephesus

The Church of Smyrna

Location: İzmir – distance from Çeşme 90km

Occupying the northern wing of the Agora of Smyrna and the site’s focal point, the Basilica of Smyrna was three storeys high, including the basement floor. It had a rectangular plan and measured 161 by 29 metres. It is one of the largest basilicas ever built during the Roman period. The building has been used since the 2nd century B.C. as a Hellenistic period Stoa and at least the first quarter of the 2nd century A.D. as a Basilica. It underwent significant rebuilding after an earthquake in 178 A.D and was in use until the 7th century when it was abandoned with the rest of the Agora. The architects of the Agora Basilica of Smyrna used Hellenistic forms and ideas to construct an essentially Roman building with exceptional dimensions and quite peculiar construction techniques and decorations. They followed the centuries-old architectural traditions of Asia Minor, combining them with new ideas, and realized a Roman civil basilica of Helleno-Roman ideas and forms.

Smyrna Basilica Basement West Portico

The remarkably well-preserved basement level of the Smyrna Basilica contains four galleries. The first and second galleries are on the south and are covered by 55 arches. Regular-shaped stone plaques are placed upon these arches built of hewn stone. After the earthquake of 178 A.D. and to reinforce the upper stories, one out of every two arches in the first gallery was strengthened with square supports made of rubble and reused materials. Among the interesting characteristics of the galleries are wall pictures and inscriptions, which represent almost every aspect of the daily life of the Roman period. They were made with incising techniques, painted lines, and decorative motifs that were worked into the plaster of partitioning wars and arch peers. These two galleries in the basement story bear traces of the North Stoa, which was located here in the Hellenistic. The Hellenistic plan and structural character of the building were passed onto the Roman period construction, and today, it can best be observed in the workmanship of the South Wall of the first gallery.

The lighting and ventilation of the basement of such a large structure must have been a problem. The rectangular windows on the first gallery south-facing wall used from the Hellenistic period onward, and in the courtyard, the windows opening onto the steps of the Basilica must have been intended to solve this problem. An effort was made to convey to the inner spaces the light and air which came from windows and doors serving the 1st and 4th galleries at points where these architectural solutions were insufficient; torches and lamps were used.

Revelation 2:8-11 – Letter to the Church in Smyrna

The Church of Pergamon

Location: Bergama – distance from Çeşme 220km

The most famous structure in the Ancient City of Pergamon is the monumental altar, also called the Great Altar, which was probably dedicated to Zeus and Athena. The foundations are still located at the original site, but the remains of the Pergamon frieze, which originally decorated it, are displayed in the Pergamon Museum in Berlin. Many scholars believe that the reference to Satan’s Throne in Revelation 2:13 refers to the great Pergamon Altar, given its resemblance to a gigantic throne.

The Red Basilica is a monumental ruined temple built over the River Selinus in the lower city of Pergamon at the foot of the hill, now part of Bergama’s commercial centre. The temple was built during the Roman Empire, probably during Emperor Hadrian’s time (76 – 138 A.D. Emporer 117 – 138 A.D.). It is one of the most significant Roman structures that still survive from ancient Greece. The temple is thought to have originally been for worshipping Isis, Serapis, and other Egyptian gods. Although the building was enormous, it was only one part of a much larger sacred complex surrounded by high walls. Built directly over the river, a 196-metre bridge spanned two channels under the temple. The Pergamon Bridge remains today, supporting modern buildings and vehicle traffic.

Red Basilica at Pergamon circa 5th Century A.D.

At some point during the early Christian era, the temple was gutted by fire. It was not restored but was redeveloped in the 5th century A.D. as a Christian basilica dedicated to St. John, built inside the shell of the destroyed temple. Arcades were built, dividing the interior into a central nave and two side aisles. The eastern wall was demolished and replaced with an apse. The floor level was raised by about two metres, obscuring the original Roman floor, though archaeologists have since restored the former floor level. The church was probably destroyed by Arab forces, who besieged and looted the city in 716–717 during his unsuccessful bid to conquer Constantinople. In 1336, Pergamon fell into Turkish hands, and the building was converted into a mosque. Today, the main temple ruins and one of the side rotundas can be visited, while the other rotunda is still being used as a small mosque.

Revelation 2:12-17 – Letter to the Church in Pergamon

The Church of Thyateira

Location: Akhisar – distance from Çeşme 200km

Byzantine Thyateira Basilica circa late 5th / early 6th Century A.D.

During the early Christian period, as one of the most significant northern Aegean cities, the church at Thyateira was highly important. Thyateira is referenced in Acts and Revelation as the centre of Lydia and later one of the main churches of Asia Minor (Acts 16:14; Revelation 2:18-29). Paul, who spent most of his three years in the Asian provinces in Ephesus, may have visited Thyateira and brought the Gospel there. The Christian community thrived until the population exchange of 1923. Since then, the Ecumenical Patriarchate of Constantinople has maintained an exarch based in London with the title Archbishop of Thyateira, responsible for the Greek Orthodox Church in Great Britain, Ireland, the Isle of Man, and the Channel Islands. The Archdiocese of Thyateira and Great Britain is based at Thyateira House in central London (W2), near Lancaster Gate.

Revelation 2:18-29 – Letter to the Church in Thyateira

The Church of Sardis

Location: Sart – distance from Çeşme 185km

Church M – 4th Century Mortuary Chapel Adjacent to Temple of Artemis in Sardis

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Revelation 3:1-6 – Letter to the Church in Sardis

The Church of Philadelphia

Location: Alaşehir – distance from Çeşme 235km

The Church of St. Ioannes has been in the city since the Early Byzantine Period (6th century). Located almost in the centre of the city walls, the Church of St. Ioannes is the only surviving church within the ancient city. Today, it is called “Üçayak” or “the Church of St. John” (of St. John the Apostle); its original name is uncertain. Travellers’ accounts show almost all of the church was already ruined by the early 19th century, with only its four partly standing piers from which the remains of brick arches rise, part of a wall of the choir, and some damaged frescoes surviving and today the site of the church functions as an open-air museum with the four piers, one of which is preserved only to ground level, and a number of artefacts brought from neighbouring Alaşehir. As only the four piers of the building exist, most suggestions can not go beyond speculation until a thorough excavation has been conducted. The pillars’ height, thickness and connection to the arches give the impression that it was once a magnificent structure.

The best-preserved pier is located in the northeast. It is about 14.5 metres high, with the brick vault fragments surmounting it. All its faces are made of ashlar masonry, while the north and especially the east faces are damaged and subsequently partly restored. The stone string course is at the top of the pier, which is only on the south and west sides. In plan, the pier has straight edges on the north and east, while on the south and west, it has profiles with re-entrant angles indicative of the surmounting arches. Today, among the vault fragments, one can trace the springing of the arches on the west and south, a pendentive fragment at the southwest corner, as well as the facades articulated by blind arches recessed twice on the north and on the east with saw-tooth brick ornament.

Unfortunately, the fresco remains retained today are devoid of complete stylistic features or identifiable narrative scenes. Only a few of those which once adorned the surfaces of the south and west sides of the northeast pier are partly recognizable today. Among them are probable busts of saints with halos, some of whom also appear to have epitrachelions with crosses and Bibles inside a row of roundels immediately below the string course on the south side of the northeast pier. Beneath one of the roundels is an (unreadable) inscription which can barely be discerned.

Revelation 3:7-13 – Letter to the Church in Philadelphia

The Church of Laodicea

Location: Goncalı – distance from Çeşme 325km

Laodicean Church circa Early 4th Century A.D.

The recently restored Laodicean Church is now a main tourist attraction in Laodicea. Discovered and completely unearthed in 2010, it is one of the oldest Christian churches in the world, dating back to the reign of Constantine the Great (272 -337 A.D. Emporer 306 – 337 A.D.). Severely damaged by an earthquake in 494 A.D., it was rebuilt and finally destroyed in an earthquake circa 602 – 610 A.D. Now covered with a protective roof, a partly transparent platform has been prepared for the visitors to view below. The three-aisled basilica has eleven semicircular apses, two entrances, and a floor decorated with many mosaics. The church walls were decorated with frescoes and marble slabs.

Revelation 3:14-22 – Letter to the Church in Laodicea

The Book of Revelation

The Book of Revelation is the final book of the New Testament; its title comes from the first word of the text: apokalypsis (ἀποκάλυψις), meaning ‘revelation’ in Hellenistic Greek (Koine Greek), an unveiling or unfolding of things not previously known. The Book of Revelation is the only apocalyptic book in the New Testament. It occupies a principal place in Christian theology, concerned with death, judgement, and the final destiny of the soul and humankind.

The author of the book, John, makes it clear that the Book of Revelation is both an “apocalypse” (revelation) and a “prophecy.” This type of Jewish literature recounted a prophet’s symbolic visions that revealed God’s heavenly perspective on history so that the present could be viewed considering history’s final outcome. It was meant to comfort and/or challenge God’s people. 

John says he was exiled to the island of Patmos, where he saw a vision of the risen Jesus standing among seven burning lights. The image, adapted from Zechariah 4, symbolises seven churches in Asia Minor. Jesus addressed the specific problems facing each church and warned them that a “tribulation” was upon the churches that would force them to choose between compromise and faithfulness. Amid persecution, Jesus calls the churches to faithfulness.

The precise identity of John remains a point of academic debate. Second-century Christian writers identify John the Apostle as the “John” of Revelation. Modern theological scholars consider that nothing can be known about him except that he was a Christian prophet and characterise him as “John of Patmos”. 

BibleProject.com Concise explanation of the Book of Revelation – 11 minutes 48 seconds